This Day in Music…November 14
1663 – Composer Friederich Wilhelm Zachow was born.
1719 – Composer Johann Georg Leopold Mozart was born.
1778 – Composer Johann Nepomuk Hummel was born.
1805 – Composer Fanny Cacilia Mendelssohn Hensel was born.
1900 – Composer Aaron Copland was born.
1921 – In Chicago, IL, on KYW Radio, the first opera by a professional company was broadcast.
1943 – Leonard Bernstein made his debut with the New York Philhamonic when he filled in for the ailing Bruno Walter prior to a nationally broadcast concert. Bernstein was 25 years old and was an assistant conductor at the time.
1944 – Tommy Dorsey and Orchestra recorded “Opus No. 1.”
1961 – The Elvis Presley film “Blue Hawaii” premiered.
1970 – Santana’s “Black Magic Woman” was released.
1987 – Sonny and Cher sang “I Got You Babe” on the David Letterman show.
1990 – The Who’s Pete Townshend confessed his bisexuality to Newsweek.
1992 – John Cascella, keyboardist of John Mellencamp’s band, was found dead in his car in Indiana. It is believed that he died of a heart attack.
1995 – The Rolling Stones released their acoustic “Stripped” album.
2000 – The trial of Michael Abram began. He had attacked George Harrison and his wife in their home in Britain on December 30, 1999.
2000 – Marilyn Manson’s released “Holy Wood (In The Shadow Of The Valley Of Death).” The cover of the album was banned by several retail chains due to the cover art. The banning chains released an alternate cover. The cover depicts Manson on a crucifix.
http://www.on-this-day.com/onthisday/thedays/music/nov14.htm
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about 4 months ago
In Idol news:
Kara DioGuardi wants to hang out with Ellen DeGeneres before the new season of “American Idol” to get the judges working together comfortably.
The second-year judge said she plans on spending down time in December with the newest addition to “Idol.”
“I’m hoping the chemistry with Ellen will be great — and a great start to the season,” she said at the Media and Money conference in New York on Friday.
It’s all part of her effort to establish her identity on the Fox show after a rookie year that saw plenty of criticism come her way about her on-air role. She explained, “you have to know on the show who you are and have a vision of yourself. What am I trying to represent? You’ll see more of this branding myself.“
Hollywood Reporter
After the dreadful “No Boundaries,” it’s pretty obvious what Kara’s brand is…
about 4 months ago
Not a lot of music news on weekends, so in film news:
Hollywood studios are now thinking twice about splurging on A-list movie stars and costly productions in reaction to the poor economy, but also because of the surprising success of recent films with unknown actors.
After buddy comedy “The Hangover,” a movie with a little known cast, made $459 million at global box offices this past summer, several films have shown that a great concept or story can trump star appeal when it comes to luring fans.
Reuters
about 4 months ago
Box office news:
Moviegoers rushed to get a taste of the apocalypse Friday as Sony’s mega-disaster movie “2012″ opened to an estimated $23.7 million in North America.
Roland Emmerich’s PG-13 movie, which bowed in 3,404 engagements, mirrored the $23.5 million opening of his 2004 picture “The Day After Tomorrow,” which went on to gross $68.7 million over its first three days, which were part of a longer, four-day Memorial Day weekend.
Hollywood Reporter
about 4 months ago
Okay, wandering further afield…
Sales of video games and consoles in the U.S. fell 19% in October, putting the industry on pace to post a decline for 2009.
Console sales crashed 23% to $380.7 million last month, from $497 million in October 2008. Game software sales fell 18% to $572.7 million, down from $698.4 million a year earlier. The grim numbers represent the seventh monthly decline in U.S. video game sales.
“You’re seeing the effects of the recession,” said Michael Pachter, an analyst with Wedbush Morgan Securities who two weeks ago predicted that U.S. game sales would be down 5% this year.
Los Angeles Times
about 4 months ago
A new wrinkle in the concert industry:
Nothing in the concert industry has evolved more significantly than how people buy tickets, from the days of walk-up box offices to Ticketmaster’s network of call centers to the almost entirely Internet-based technology of today, in which seats by the thousands can disappear in an instant.
But Andrew Dreskin, a concert promoter and music entrepreneur, thinks the technological evolution is stuck in the ways of Web 1.0, and needs to move to the next phase.
“Ticketing doesn’t seem to have really changed all that much in the past decade,” Mr. Dreskin said. “The software today seems to do mostly what it did in 1997, ’98, ’99,” he added, pointing to the plain, text-heavy design of most ticketing sites and consumers’ limited control over basic aspects like seating choice.
In response, he has helped found Ticketfly, one of several tech-heavy young companies working to bring ticketing into the social-networking age.
New York Times
about 4 months ago
…and back to music!
In this digital era of distraction and celebrity, how long could the sound of simple sidewalk music possibly echo? The answer, it turns out, is five years and counting.
Tonight, nine street musicians from across the globe will play at Club Nokia under the banner of Playing for Change, a name that winks at their busker background and declares their mission of making the world a better place through melody.
That’s a dangerously earnest goal in this ironic age, but Playing for Change, one of the surprising stories in 2009 pop culture, has made bold optimism its backbeat.
Los Angeles Times
about 4 months ago
One more:
With fans clutching their ticket dollars ever more tightly, touring artists have resorted to bringing the people what they want. Exactly what they want. In order. They’re hitting the road, playing their most beloved albums from start to finish, track by beloved track. (Doors open at 8, band goes on at 10, your favorite song arrives at 10:27. Plan accordingly.)
Bruce Springsteen, Public Enemy and Van Morrison are just a few of the acts who’ve recently embraced the idea — one that’s penetrated both indie rock enclaves and vast swaths of the boomerverse with a quickness that rivals swine flu. Now, with the likes of Devo, Steely Dan and the Pixies playing their classics on various Washington stages this month, buying a concert ticket feels more like pressing “play.”
But can we please press “stop”?
Washington Post
about 4 months ago
You’ve got to be kidding me. I’m no big Ellen fan but I suspect that, since she didn’t lobby for the gig, she won’t give a shit about who is comfortable or uncomfortable and she will approach this exactly as she likes. All I know is that there are now three of four opinions I don’t give a shit about and that is a lot of air time. At least with Paula I knew I’d get some comic relief, lame as it was.
When it went to four judges I stopped watching live, and FF’d through the criticism and post performance Seacrest stuff. Grabbed back quite a lot of time that way.
They all take themselves too seriously, and only Simon seems to know not to ramble on too long.
about 4 months ago
Oops, found one more:
If it weren’t for Michael Jackson and all of his postmortem success — including the bestselling catalog album of the year in “Number Ones” (released in 2003) and a $186.2 million global take for the concert film “This Is It” in less than two weeks — 2009 could just as easily have gone down as the year of the Beatles.
In other words, legacy pop rules.
Variety
about 4 months ago
A little Adam news:
Congratulations to MSA client Jamie King, who is set to work with American Idol runner-up Adam Lambert. King, along with Associate Director Stefanie Roos, will direct Lambert’s upcoming performances and appearances.
McDonald/Selznick Associates
about 4 months ago
I agree with the four judges being a waste. I also think that Randy is as useless as they come and Kara was right up there with him. Paula was good for those, WTF?! moments. Ellen? I like her, but I don’t know why she has been chosen for this show. I guess I will have to wait and see what she adds to it all.
about 4 months ago
Gee, it looks like David Cook still hasn’t been able to sell out his two shows at Pechanga Resort & Casino…
How is it even possible that Scott could have been so very wrong?
Friday, October 23, 2009 – 18:36 Scott:
Just booked my NYE package at Pechanga. I would advise anyone who’s considering going to book now. The package is expensive but it includes 2 tickets and a deluxe room – this is a 4 diamond resort. The night before is dirt cheap – $129 but you then buy your concert tickets separately (not in a package). The reservations clerk said these are going to go fast… NYE always sells out and the Cook calls are already pouring in. The night before will be sold out even sooner because it’s such a good room deal. This is a very big deal for David (and us!) – here’s the website’s brief description of the venue:
The magnificent 1200 permanent-seat Pechanga Showroom puts the audience “up close and personal” for headliner acts and concerts
Woohoo, 2400 seats over 2 days. David hould have no problem filling this here in Southern California. Temecula is equi-distant to San Diego. Combined with metro LA that’s 20 million people.
about 4 months ago
I think I’m going to buy Jason Castro’s album, which now has a release date of January 26, 2010.